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Front of house sound comes from a pair of
Mackie SRM1530 speakers with the optional addition of a pair of HZ SB600
subs if extra bass is required. The Mackies are rated at 1000W per pair, but
being amongst the most efficient and brilliantly-designed tri-amplified
speakers on the market, this 1000W is favourably comparable to many much
higher-powered systems. On their own they have fantastic bass response, but
the HZ subs (with QSC amplification) can be added if necessary (larger
venues / marquees / outdoor events etc.). With the subs, the system is rated
around 2000W. |
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The six
foldback monitors
are also active
Mackies (SRM350s); those that have experienced them know that they are some
of the clearest sounding compact active speakers on the market, and perfect
for foldback monitoring (as well as smaller front-of-house applications). |
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The mixing desk
is an Allen & Heath 'MixWizard' 16-2. It is the only 19" rack-mount desk I have found on
the market which features 16 mono channels, 2 additional stereo inputs
(effects return, CD player etc), 6 auxiliaries, 4-band EQ with 2
swept mids on every channel, inserts on every channel and direct outs on
every channel (enabling the simple connection of a multi-track recorder).
This means that the option is there to record the gig in 16-track
multi-track format allowing separate mixing and editing to be done at a
later date. |
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Outboard gear
includes a DBX Driverack PA (an amazing piece
of equipment which automatically EQs the front-of-house PA to each
individual room in the space of about 2 minutes), various graphic EQs for
the monitors, a TC Electronic M300 effects processor, a Samson S-Com Plus
dual-channel compressor / limiter / de-esser (can be useful for vocals), a
Samson S-Gate-4 four-channel gate / ducker (often useful for taming ringy
toms and bass drums) and a Marantz CD deck (particularly useful for playing
CDs). |
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Mics: 4 x Shure Beta 58A (vocals); 2 x
Sennheiser MD421, ElectroVoice RE20 & Shure Beta 56 (horns), Sennheiser E609
(guitar cabs), Shure Beta 52 (bass drum), 4 x Sennheiser E604 (clip-on mics
for toms / snare), 2 x AKG C1000S (drum overheads), various DI boxes (bass /
keyboards).
The lighting rig
is basic but very
effective. It consists of 4 ancient but safely
working Fresnels (650W each) which bring the band out of the darkness with a
splash of colour, and a pair of moving-head lights add some atmosphere to
the dance floor. |
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